{"id":16198,"date":"2024-04-08T09:34:59","date_gmt":"2024-04-08T09:34:59","guid":{"rendered":"https:\/\/3in1filmfest.com\/?page_id=16198"},"modified":"2024-04-12T05:13:43","modified_gmt":"2024-04-12T05:13:43","slug":"programa-2","status":"publish","type":"page","link":"https:\/\/3in1filmfest.com\/en\/programa-2\/","title":{"rendered":"PROGRAMA 2"},"content":{"rendered":"
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Programa<\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

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DIA 1<\/span><\/a><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n
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DIA 2<\/span><\/a><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n
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DIA 3<\/span><\/a><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n
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DIA 2 > <\/strong>25 NOV | SÁBADO<\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n

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SALA PRINCIPAL<\/span><\/a><\/div>\n
SALA PEQUENA<\/span><\/a><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/section>\n
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FICÇÃO I <\/strong>10:00<\/p>\n<\/div>\n<\/div>\n<\/div>\n

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Little Doggie<\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n

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Giorgos Ntounis<\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n

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26’01”<\/strong><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

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3º Direito<\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n

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Diogo Lopes<\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n

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11’35”<\/strong><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

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Even to bones<\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n

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Beatriz Carias, Rafael Miranda<\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n

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11’20”<\/strong><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

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FICÇÃO II <\/strong>11:00<\/p>\n<\/div>\n<\/div>\n<\/div>\n

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A Fotografia<\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n

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Tiago Ribeiro<\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n

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17’58”<\/strong><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

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A girafa em chamas<\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n

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Tiago Quelhas<\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n

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15’42”<\/strong><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

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Bad Blood<\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n

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Mario Mariño Luezas, Jose Manuel Manero Hernández<\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n

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13′<\/strong><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

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Solum Requiem<\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n

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Luis Ferreira<\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n

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8′<\/strong><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

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FILMES DE ESCOLA I <\/strong>12:00<\/p>\n<\/div>\n<\/div>\n<\/div>\n

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A invisibilidade<\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n

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Associação de Ludotecas do Porto<\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n

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12’39” <\/strong><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

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Quando a terra sangra<\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n

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João Vicente Morgado<\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n

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15’29”<\/strong><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

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Bégan<\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n

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Maria Jorge<\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n

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11′<\/strong><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

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Rua do Caneiro<\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n

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Leonor Faria Henriques<\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n

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3’37” <\/strong><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

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Seres Magníficos<\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n

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Eliana Caleia, Francisca Fernandes, Lara Brito, Luiza Ferreira<\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n

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12’20”<\/strong><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

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FICÇÃO III <\/strong>15:00<\/p>\n<\/div>\n<\/div>\n<\/div>\n

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Beatriz<\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n

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Afonso Henrique<\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n

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25’02”<\/strong><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

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Utopia<\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n

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Beatriz Carmo<\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n

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15’05”<\/strong><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

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Close<\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n

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Markus Tolvo<\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n

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12′<\/strong><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

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A saddle for two<\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n

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Ian Fallon<\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n

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7’09”<\/strong><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

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DOCUMENTÁRIO II <\/strong>16:10<\/p>\n<\/div>\n<\/div>\n<\/div>\n

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O último oleiro<\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n

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Fábio Oliveira<\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n

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27’15” <\/strong><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

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Antes de mim, o fim<\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n

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Inês Luís<\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n

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30′<\/strong><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

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ANIMAÇÃO II <\/strong>17:10<\/p>\n<\/div>\n<\/div>\n<\/div>\n

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WAMAI<\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n

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Luca Mussini, Nuno Taborda, Pedro Fernandes<\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n

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3’37”<\/strong><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

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Foxtale<\/p>\n<\/div>\n<\/div>\n<\/div>\n

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Alexandra Allen<\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n

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6′<\/strong><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

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Casaco Rosa<\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n

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Mónica Santos<\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n

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8’20”<\/strong><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

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Algo que eu disse<\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n

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Sara Barbas<\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n

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10′<\/strong><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

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A espuma e o leão<\/p>\n<\/div>\n<\/div>\n<\/div>\n

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Cláudio Jordão<\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n

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18’30”<\/strong><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

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Motus<\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n

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Nelson Fernandes<\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n

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4’10”<\/strong><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

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WARMTH<\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n

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Caroline Soares, Gwenaëlle de Ville, Patricia Lopes<\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n

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2’19”<\/strong><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

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Kit de sobrevivência<\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n

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Filipe Cansado, Luís Ribeiro, Nicolas Freitas<\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n

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1’43”<\/strong><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

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O dia em que os porcos voaram<\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n

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Francisco Parreira, Hugo Guedes, Sebastião Salvador<\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n

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5’04”<\/strong><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

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FICÇÃO IV <\/strong>18:20<\/p>\n<\/div>\n<\/div>\n<\/div>\n

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S.Ó.S<\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n

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Bruno Soares<\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n

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26’14” <\/strong><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

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Plastic touch<\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n

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Aitana Ahrens<\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n

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12′<\/strong><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

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2020: Odisseia no 3º esquerdo<\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n

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Ricardo Leite<\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n

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14’10”<\/strong><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

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DOCUMENTÁRIO III <\/strong>21:00<\/p>\n<\/div>\n<\/div>\n<\/div>\n

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Poulaphouca<\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n

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Ian Fallon<\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n

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6’55”<\/strong><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

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Guardiões da Serra<\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n

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Rui Russo<\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n

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26’10”<\/strong><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

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O meu caminho<\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n

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Pedro Gil Vasconcelos<\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n

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16′<\/strong><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

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FICÇÃO V <\/strong>22:00<\/p>\n<\/div>\n<\/div>\n<\/div>\n

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Senhora de si<\/p>\n<\/div>\n<\/div>\n<\/div>\n

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Ricardo Martins<\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n

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6’15”<\/strong><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

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MÅNGATA<\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n

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Maja Costa<\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n

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15’38”<\/strong><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

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Stateless<\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n

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Tawfik Sabouni<\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n

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26′<\/strong><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

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Das duas uma<\/p>\n<\/div>\n<\/div>\n<\/div>\n

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Bernardo Gomes de Almeida<\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n

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11’34” <\/strong><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

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FILMES DE ESCOLA II <\/strong>23:00<\/p>\n<\/div>\n<\/div>\n<\/div>\n

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Rilhafoles<\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n

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Diogo Palma<\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n

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4’49”<\/strong><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

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Post Human<\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n

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Diogo Quinto Duarte<\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n

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5’49”<\/strong><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

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Punkada<\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n

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Gonçalo Barata Ferreira<\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n

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14’54”<\/strong><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

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A Lagartixa cor de laranja<\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n

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Jorge Duarte<\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n

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4’13”<\/strong><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

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Le Voyage de Ghosty et grand-mère Suzy<\/p>\n<\/div>\n<\/div>\n<\/div>\n

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Joséphine Lasquier, Jérôme Pauly<\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n

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14’33”<\/strong><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

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O que diz a palavra liberdade<\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n

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Associação de Ludotecas do Porto<\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n

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13’47”<\/strong><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

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<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/section>\n<\/div>\n

<\/p>","protected":false},"excerpt":{"rendered":"

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